My mom is in Mexico for a few weeks, so I think it’s safe to share this story.
Two years ago, Mom’s dad died. My grandpa was an artist and entrepreneur, a small-time inventor who owned a custom picture framing shop. Over 65 years of marriage, he and Grandma amassed a large archive of slides and photographs that documented everything from their courtship to Grandpa’s business ventures and countless family camping trips.
My sister and I both flew to Phoenix for Grandpa’s funeral, but Kristen got there first. She spent an entire day immersed in the family archive, helping Mom select pictures for a coffin-side photo collage. Ever the social scientist, Kristen wasted no time in sorting through the evidence and identifying her own salient data. By the time I arrived, she had the slide projector set up in Grandma’s living room.
“There’s this picture you have to see,” she said, when we had a moment in private. “It’s Mom and Dad right after their honeymoon. They actually look kind of hip. It’s weird. I need to have it.”
Unfortunately, our mother had already sniffed out my sister’s fascination. She sighed when Kristen switched out the lights. Over the lumbering hum of the ancient projector, Mom performed a multimedia symphony of teeth-sucking and eye-rolling. She actually groaned when the post-honeymoon picture clicked into view. “Oh puhleeez.”
The more we delighted, the more she protested. “Mom, you look so beautiful…I love that dress… You guys were so cute… I wish my hair could look like that.”
“Oh, stop it,” she said. “Just stop.”
The problem was as clear as the Arizona sunlight. In the photo, my father is sprawled in a mid-century lawn chair in my grandparents’ backyard. His hair is slightly long, and he’s wearing Wayfarer-style glasses with black frames. Although my grandparents were teetotalers, Alex seems to be holding a scotch and soda. His lanky legs are crossed at the knee, and he’s wearing a pair of extremely loud plaid pants.
In other words, he looks like he should be having cocktails with Christopher Isherwood and Don Bachardy. He looks like a great big gay.
The next day, after Grandpa’s funeral, we were too sad and tired to bother with the slides. Mom said her husband was going to digitize them all, so it seemed pretty certain that we’d be able to get a copy of The Photo, the one we really wanted.
A few weeks later, Kristen casually asked about the slides. Mom said she would send them. Instead, she emailed a copy of the glamour shot that she uses for her Facebook profile.
Beautiful, but not quite what we were looking for.
An outsider might find it difficult to sympathize with our singular passion for a snapshot. But when you grow up with a closeted parent, there’s a big part of your family history that’s missing. It’s not simply because people are guarding family secrets; the largest holes in the fabric of memory are worn by the unconscious effort of resisting what is already known.
As adults, my sister and I can spend hours analyzing a remembered word or gesture, trying to figure out where we came from and how it shaped us. It’s personal, sometimes it’s sad or frustrating or harrowing. But it’s also pleasurable. The truth is, we like being sleuths in the archive, putting the pieces together in different combinations, trying to see what stories we can tell.
For my parents, the photo elicits different feelings. In these black and white snapshots, they are literally exposed. What should I have known? What did I show? Who knew? Did I seem like a fool? A joke?
Last Christmas, Kristen raised the question of The Photo with our father. Since my dad came out in 1994, I have seen him wear some truly outrageous ensembles. My favorite was the time he showed up at a (Mormon) family reunion in shiny black pants with a chain mail belt. However, as Kristen began to describe the missing picture, he grimaced. It was as if somehow he already knew.
“Am I wearing funny pants in that picture?”
Yes, funnypants, we love you. And, for the record, my mom is at a language school in Mexico this month, and I know she’s rocking those irregular verbs, because she’s super smart.
May 3, 2012 at 7:48 am
As usual your ability to paint vivid pictures is enthralling and satisfying.
May 7, 2012 at 10:37 pm
I’m totally going to find that photo when I go in June.
May 13, 2012 at 12:21 am
“the largest holes in the fabric of memory are worn by the unconscious effort of resisting what is already known.”
May 13, 2012 at 1:45 pm
That is a brilliant quote!